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August 4, 2024 Review

After Yang Review: A Science Fiction Dealing with Grief in All of its Complexities

After Yang is a sci-fi about a family forced to confront the ideas of grief, love and the meaning of life after their AI malfunctions one day, much like Kogonada’s previous film Columbus, this film […]

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August 4, 2024 Review

The Irishman Review: A Soul Crushing Tribute to Mob filmmaking by the Pioneer of it!

  Martin Scorsese draws a visual callback to his most popular crime film GoodFellas in the very first scene of The Irishman, with a long tracking shot, however instead of a lively racous celebration that […]

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August 4, 2024 Review

GoodFellas Review: Martin Scorsese’s Most Influential Work To Date!

GoodFellas is a special film for me for a multitude of reasons, had I not watched it few years back I probably would have never taken films as seriously as I do today. It exposed […]

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August 4, 2024 Review

Sorcerer Review: Pure Lunacy of Filmmaking!

Sorcerer is definitely one of those “They don’t make films like this anymore” sort of classics. William Friedkin wanted it to be his magnum opus and I think he well succeeded. I can see the […]

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August 4, 2024 Review

Raging Bull Review: Thelma Shoonmaker’s Magnum Opus

Sequence during and after which Jake confronts Joey about Copa incident is an all time great, the post argument camera pan, Jake assuredly climbing stairs for bout vs paranoid delusions and frustration via Vickie: witness […]

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August 4, 2024 Review

The Killer Review: Michael Fassbender at his Most Charismatic!

“Fincher has that Kubrick thing where he can’t unsee what he sees……. I think for people like that, it’s almost like a gift and curse, because they can’t unsee what they see. And that’s the […]

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August 4, 2024 Review

Zodiac Review: Fincher’s Best Since Se7en

Circumstantial evidence: the movie! I vowed not to revisit this film anytime soon. It all started with that damn Hurdy Gurdy Song shuffled on my playlist. And then I did some reflection, realizing that I […]

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August 4, 2024 Essay

The Healing Power of Theater in ‘Drive My Car’

Ryusuke Hamaguchi created a highly ambitious and contemplative piece of art in the form of “Drive My Car.” The film was reflective of our Covid/Quarantine era. We all felt boxed in like Kafuku and Misaki […]

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August 4, 2024 Explainer

Whiplash Ending Explained: What Fletcher Said To Neiman At the End?

Whiplash Ending Explained: Damien Chazelle’s Whiplash is considered one of the finest films of the last decade by many. The film is widely known as a staggering achievement in filmmaking. However, arguably the most discussed […]

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August 4, 2024 Review

Oppenheimer Review: Nolan’s Best Directed Film Yet

Memento: Time as Memory Insomnia: Time as Perpetual Daylight Batman Begins: Time as Fear The Prestige: Time as Deception The Dark Knight: Time as Chaos Inception: Time as Dreams The Dark Knight Rises: Time as […]

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Review Tales is a platform that celebrates the eclectic world of Art and Culture in each one of its forms. We hold a simple creed: that every work of art, be it a piece of mainstream pop culture or a niche indie creation, has value and needs to be celebrated. Be it the latest blockbuster, a hidden indie gem, a game-changing music album, or even a book that makes one ponder over life, we promise to have it all.

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