The Assassination of Jesse James by the coward Robert Ford is probably one of the most competently made things I have ever seen. Every single thing about it is immaculate. It is so sad that […]

I can’t help think how messy and meandering Catch Me If You Can would have been if Steven Spielberg didn’t direct it. Seriously, this is some genius storytelling in my book. Catch Me If You […]

A middle class guy named Zeishan Qadri on a random day in the early 2010s knocked on Anurag Kashyap’s studio door with a script which had nothing but former’s childhood in Dhanbad and Wasseypur locked […]

I’m just a human being, with all of the foibles and all of the traps the show, the pressure, the groupies, the autograph hounds the crew, the incompetence, those behind the scenes you think are […]

80s was not so great for Martin Scorsese. Filming of The King of Comedy turned into a marathon, and when it finally got released, it tanked badly on the box office. Couple that with the […]

After Yang is a sci-fi about a family forced to confront the ideas of grief, love and the meaning of life after their AI malfunctions one day, much like Kogonada’s previous film Columbus, this film […]

  Martin Scorsese draws a visual callback to his most popular crime film GoodFellas in the very first scene of The Irishman, with a long tracking shot, however instead of a lively racous celebration that […]

GoodFellas is a special film for me for a multitude of reasons, had I not watched it few years back I probably would have never taken films as seriously as I do today. It exposed […]

Sorcerer is definitely one of those “They don’t make films like this anymore” sort of classics. William Friedkin wanted it to be his magnum opus and I think he well succeeded. I can see the […]

Sequence during and after which Jake confronts Joey about Copa incident is an all time great, the post argument camera pan, Jake assuredly climbing stairs for bout vs paranoid delusions and frustration via Vickie: witness […]